Rogue One a écrit:Ce steelbook est juste.. beeaauu ! :')
Niffleur a écrit:Rogue One a écrit:Ce steelbook est juste.. beeaauu ! :')
Yep, j'aime beaucoup le style aussi, une belle pièce!
Rogue One a écrit:C'est LE truc chiant des steelbook.. c'est beau mais ptn c'est cher ! Oo
Niffleur a écrit:Rogue One a écrit:C'est LE truc chiant des steelbook.. c'est beau mais ptn c'est cher ! Oo
C'est vrai que c'est pas donné, mais comparé au steel book de Homecoming à 30€, ça va encore...
Rogue One a écrit:Niffleur a écrit:Rogue One a écrit:C'est LE truc chiant des steelbook.. c'est beau mais ptn c'est cher ! Oo
C'est vrai que c'est pas donné, mais comparé au steel book de Homecoming à 30€, ça va encore...
Celui avec l'araignée bizzard en relief ??
"If I'm honest, twenty minutes into the Deadpool movie, all I kept seeing was 48 Hours, the Nick Nolte/Eddie Murphy movie. I was like 'Damnit, damnit. What have I done? What have I done? Nope, you said no. That's it. It's done, ok, I'm done.'"
The New York Times a écrit:"No part of me was thinking when ‘Deadpool’ was finally greenlit that this would be a success. I even let go of getting paid to do the movie just to put it back on the screen: They wouldn’t allow my co-writers Rhett Reese and Paul Wernick on set, so I took the little salary I had left and paid them to be on set with me so we could form a de facto writers room."
"It was a lesson in a couple of senses. I think one of the great enemies of creativity is too much time and money, and that movie had neither time nor money. It really fostered focusing on character over spectacle, which is a little harder to execute in a comic-book movie."
"I was just so invested in every micro-detail of it and I hadn’t felt like that in a long, long time. I remembered wanting to feel that more — not just on ‘Deadpool’, but on anything."
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