“I think we’re just in a world right now where there was a huge and understandable freeze-up when the pandemic hit and a lot of productions were put on hold. Now that the industry has really roared back, the pipeline for VFX is so jammed. Obviously, all these superhero movies just require so much VFX, and we’re just in a situation where the majority of the VFX houses are just completely swamped with work.
I think that’s why you saw seismic shifts across the board, and you continue to see those giant properties just moving further down the line. And it’s just a matter of the vendors being able to accommodate the amount of VFX they have to do, the shots that have to be done.”
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