
"I was not even convinced when we started, and this movie's gonna be really good. They have a special sauce. I don't even really understand, but they [the Russos] just know how to do these things. And I think that as evidenced in Civil War, as evidenced in Infinity War, there's something about the layers in which they put the comedy and the drama and the surprises and the scale and the epicness and all that stuff. It's incredible."
"I will say I've never been on a set like this in my life. I've never seen anything like this. You saw those chairs. So it's like, every one of those guys and girls has a trailer. It's just insane to look around the room and be like, 'Oh my god, I'm in the movie. There's what's his face doing that speech'. It's just enormous."
"They have to supersede their expectations every single time. I was like, ‘How are they going to outdo the last thing that they did?’ Then I read the script, and my first question was ‘How are you guys going to actually pull the story off?’ You’re just not ready for what’s about to happen."
"Jeff Loveness and I spent an afternoon pitching on the Young Avengers defeating a version of Kang and being so stoked about it...only to discover that that particular Kang carried a little card that said to Be Patient with him, it was his first day as a Kang. And then they were so bummed. I think he was gonna be the lizard Kang from the end of Kang Dynasty? I don't know. Anyway we had fun."
"We had a lot of sets with backings outside them, physical backings, and generally the default situation previous to us was probably let’s put a blue screen out there and do that."
"But wherever possible, we either had a Rosco backing that we created ourselves or a painted backing on, I thin, 80% of interior sets… with backings. Then it was all in camera, you know, and in the end that’s as much a visual thing as a money thing, you know, if they don’t have to change the exterior."
"So wherever we could, we’re bringing that bit of experience in just to adjust those things and not just presume you can always put it in in visual effects. You know, filmmaking is the art of illusion, and if we can do it physically… and Joe and Anthony really like that. We can only do it in certain instances, by [the] nature of these films and the characters in them and the environments you’re doing. But, wherever possible, why not try those things?"
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