“In so many ways he’s still the guy that we remember from the first Top Gun. He keeps that old Ninja under a tarp in the hangar and still wears those Ray-Ban aviators. He’s the best at what he does, and he’s given his whole life to aviation.
But that has come as a personal cost, and Maverick has to confront some things from his past and reconcile with them. It’s a rite-of-passage story, much like the first film was. But this is a man now at a different stage of life.”
“There is no green screen in a Top Gun movie. Every shot, every stunt, was the result of the work, the real sweat, that we all put into it. The production was over the course of a full year, which was definitely the longest shoot I have ever been a part of.”
“I had about three months of flight training before starting the movie. That time was important to get comfortable with the crafts but also to build up our G-force tolerance, because all of the aerial elements were shot practically.”
“Before we got into the jets, we had to pass the Naval Aviation Survival Training course in San Diego. You learn all the protocols you need to go through if you ever have to eject over the ocean. They drag you across the water, they flip you on your bag, they want to see you able to get out of your harness and much more.”
“They put you into a modified helicopter, strap you to a chair, and then submerge this tank underwater. They blindfold you. Give you a chance to grab your last breath and then they take you down under the surface. Once you are under, they start to flip the tank and you have to prove you can go through the right operations to get out, as calmly as possible. Your partner is in there with you, and together you have to break open the hatch. It feels like some sort of torture chamber to a degree.”
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