Les Toiles Héroïques Forum

Jon Favreau sur la voix de Luke :

"Something people didn't realize is that his voice isn't real. His voice, the young Luke Skywalker voice, is completely synthesized using an application called Respeecher."

Matthew Wood (Monteur Son) :

"It's a neural network you feed information into and it learns. So I had archival material from Mark in that era. We had clean recorded ADR from the original films, a book on tape he'd done from those eras, and then also Star Wars radio plays he had done back in that time. I was able to get clean recordings of that, feed it into the system, and they were able to slice it up and feed their neural network to learn this data."

Concept art avec Plo Koon pour garder Luke secret, et teasant un potentiel Din vs Luke :








Phil Szostak (Creative Art Manager) sur des détails de son prochain 'The Art of The Mandalorian (Season 2)' :

"As you can see in the book, no art that really clearly depicted Luke was actually created. And honestly, some artists were left completely in the dark up until the episode aired. It was really only a small group of us that knew all along. There was no mention of Luke in the script, either. It was all Plo Koon. But there’s that one image in the book where it’s Plo Koon in Luke’s robe and it’s like, “Hmmm.” [Laughs] And Plo Koon surviving makes a lot less sense than Luke, who we know is still around."

"But yeah, for Luke, especially the aesthetic of his look is just about being faithful to what you know. But it’s more what you think you know, versus what it actually is. It’s almost like an elevation or a sketch of your memory versus being exactly, precisely one-to-one with the last time we saw him in the timeline, which would have been, you know, Return of the Jedi, and the supplemental narrative material that he was in for Battlefront II."

"You don’t want to just assume that Luke only has like, one pair of clothes. [Laughs] So, you know, something that would be appropriate to who Luke was, and that’s recognizable and as iconic as his Jedi look in Return of the Jedi. But also updating it and bringing it to the modern age, and just making slight tweaks. It’s that balance between remaining faithful yet bringing something new to it, or just translating it into something that will work for the purposes of this particular show."

Ben vu qu'il s'y passe des événements plus important pour Din Jarrin que dans sa propre saison 3, Boba est complètement une saison du Mandalorian oui, visiblement en ne sachant pas ce qu'elle faisait elle était quand meme plus pertinente que Favreau et Rodriguez

(En fait ils auraient dû dire que les saisons 1 et 2 formaient le Book of Din Djarrin, faire une saison 3 qui ouvrirait le Book of Boba Fett tout en continuant d'appeler la série Mandalorian puisque Boba est de facto un Mandalorien, ce qui est au final la saison 3 aurait pu faire l'objet d'un Book of Bo-Katan tout en étant toujours labellisé The Mandalorian... une sorte de série anthologique où les saisons manqueraient un nouveau Mando au centre de l'intrigue, les autres y faisant des vameos plus ou moins marqués.
Plutôt que de s'obstiner avec une série spin off totalement nécessaire à l'intrigue principale pour ce qu'elle amène (ou plutôt défait) dans la relation entre Din et Grogu, et de continuer à focaliser la saison 3 sur Din alors qu'il n'a visiblement plus grand chose à raconter à part régresse en tant que personnage et faire l'apologie des dérivés sectaires)

Clairement oui, ça aurait été une bien meilleure façon de développer cette partie de l'univers.

"The reason I did Mandalorian was that Luke had a beginning and an end. There was no middle. It was like making a trilogy about James Bond as a young boy who first became aware of the Secret Service and wanted to be a part of it. Part two was him training to be an agent. Part three is earning his license to kill — The End. No From Russia With Love, Dr. No or Goldfinger."

"You never got to see Luke as a Master Jedi at the peak of his powers. He was the most idealistic character in that series. He was someone who would take adversity and double down and come back and counter his setbacks. We didn’t see any of that. So when I got the chance, I thought, 'Geez, this is wonderful.' I think Jon Favreau and Dave Filoni, boy, do they get Star Wars. They get it. They’re speaking the same language that George did in a way that I questioned in the sequels."