"I talk to Todd and we want to craft something that is so special because I remember seeing the first Spawn movies and then seeing the HBO versions and so we have something that is almost like an original, without giving too much away. But it starts in a way that is so cool. And it's not big budget, you know? And that's what I love about it."
"It's sort of like how when they did the Joker. The Joker, yes, is here, but the story about this man who was in fire, it's the same with what we're doing. And so, we're just getting this right, cooking it right, but staying in contact, keeping the energy going and when we lay it on you, there's gonna be some moments where you go, 'Oh man.'"
"I've seen a lot of concepts. Because Todd, what he does it, every single day he's doodling and he's fixing and he's doing some things that, to me, I think is gonna be like way out when you see it. And how he crafts that cape and how that cape becomes almost like – I'll say this – as big as the screen that you're watching."
“If we’ve got an A-list actor, A-list producers, A-list writers, then do you want to shoot for A-list directors, A-list cinematographers?. The answer is, ‘of course.’ Let’s keep the momentum going.”
"We were in the middle of writing the script and then the writers strike came. So that basically came to a screeching halt, if you will. But they were pretty far along in it, so I'm assuming that they've given it a lot of thought during the strike. They know what they're going to write, the last 30 pages, which is all they need to finish. And so as soon as the strike's over, I'm assuming they're going to quickly finish that up. We will do some rewrites. We'll go into Hollywood. We'll find a buyer, maybe we'll find a couple of buyers, get into a bidding war. And then we'll come back out and make the announcement that says, 'We've got the funding, the studio, and the production date all lined up. It's go time.'"
ComicBook.com a écrit:"Jason Blum is one of the better ones at getting things done. They tell me I get to read the script this month. The email is going out this week to remind them that they promised me that."
"Something's gotta happen. Something's gonna happen. I just know myself, something's gonna happen 'cause if I can't figure it out inside [the Hollywood system], I'll figure it out [independently]. I just know myself. But hopefully we can figure out a deal that keeps all the parties that have been involved over the years involved."
"Oh my God, I would kill to make Spawn. Are you kidding? I bought Spawn #1 when it came out, back in '92. I was all about the Image Comics stuff; I was a huge comic nerd in the '90s, in high school. I still am, to tell you the truth."
"To get it right? Make sure you go back to the source material. That's critical. Make sure Todd McFarlane is really involved - I'm sure he will be, knowing what I've heard about Todd, let's just say. And just get it right, man. Get it right. By the way, if anyone can get it right, it's Blumhouse. They did such a great job with Five Nights, with Halloween... They understand how to respect IP, but also move it forward."
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