"Well, I think you've probably got to set an interview with the powers that be at Uni to get a clear answer on that one. That's above my pay grade, truly. But as an outsider, I would say that the Mummy's Dark Universe, in my humble opinion, felt like it was reactive to what was going on with all the superhero stuff — the MCU and DC universe. And we know there's been a lot of talk about what happened with all that [in] the last year or so. I guess you could call it maybe more like the Joker approach. In my opinion, especially if you're going to do it for contained pieces, like Blumhouse is really good at doing, [it] makes a lot more sense to me. So that's a good playbook."
"Upgrade was more sci-fi action. I was watching a lot of domestic thrillers when I wrote The Invisible Man, because I love that genre. [Wolf Man] is me saying, ‘I just wanted to make something that is straight-up, pure horror.’"
"I think of it as a companion piece to The Invisible Man. I didn’t want this film to be a nostalgic or a retro Wolf Man film in any way. [I was] actually writing down in my notepad everything that’s been done, and then saying, ‘Okay, that’s the list of what not to do’. I’m hoping that you go in and say, ‘Oh wow, I haven’t seen that werewolf movie before,’ when the lights come up."
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