NiradZedjati a écrit:Les quelques secondes du "trailer's teaser" sont très prometteuses !
Dyo a écrit:Au départ je pensais qu'il s'agissait d'un fan-made vue la police utilisée... Mais en fait non...
Angelus a écrit:NiradZedjati a écrit:Les quelques secondes du "trailer's teaser" sont très prometteuses !
L'émotion qui s'en dégage est assez forteSurtout pour un teaser aussi court...
“Here’s what I can tell you, It’s the most ambitious thing he’s ever done. And he’s done some ambitious stuff. … There’s no fucking around on set. He’s a great problem solver. In that way, he’s very indie. Here’s a guy who could have whatever budget he wants — and we finished shooting early.”
“He came up to me and said, ‘“Mud.” I love that movie.’ I sat down with him for about 2½ hours at his house. Not one word came up about “Interstellar.” I walked out not sure what to think. I mean, he’s not a guy who takes general meetings.”
Nolan did confirm that the film involved wormholes that allow us to travel long distances to places we couldn't travel to otherwise, but brushed off McCarthy's question on whether the movie dealt with time travel at all. He did once again mention the fact that theoretical physicist Kip Thorne was one of the film's executive producers.
Nolan also said that one of the reasons he cast Matthew McConaughey as the lead in the film is because he wanted an "everyman" with whom the audience could experience the fantastic events of the movie through. It was after seeing the Oscar-winning actor's performance in Jeff Nichols' Mud that made Nolan think that McConaughey might be right for that role.
When asked about the use of locations versus CG environments in Interstellar -- something that might be hard to do with a film set in outer space -- Nolan said that he had his team construct sets of the interiors of the spaceships, but had monitors outside the windows so that the actors could see exactly what they'd see outside of the ship. It meant that the visual FX people had to work overtime in advance of shooting to have things ready for the actors when they arrived (similar to Alfonso Cuaron's approach to Gravity, in fact). It also allowed him to shoot the movie "like a documentary."
Towards the end, Nolan suggested that his film harkens back to the "Golden Age of blockbusters" in which he grew up. He mentioned that seeing Star Wars and 2001: A Space Odyssey as a child were two huge film influences on him. He thought that back then films were more broad-based and that "family films" weren't looked down upon by cinephiles as they are today. Mentioning that the film has a very different tone than one he's done in the past, a tone he was interested in exploring, made us think that Interstellar may be something closer to Disney's The Black Hole than 2001 and it might not be nearly as dark or intellectually challenging or an "adult movie" like Inception was.
Nolan also mentioned that he wanted the film to have a "universality" that looked at where we are as people and where we want to go, as he's really trying to create an experience in moviegoers to carry with them similar to the ones he had when he was watching films growing up.
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