Adanedhel a écrit:Ou alors le jeu a eu une MàJ graphique sous Unreal Engine 5
“I think this movie is going to really push forward what can be done, from a visual perspective. I would sometimes even come in on days I wasn’t working, because that set was really amazing. A lot of the practical sets were pretty phenomenal, and I would love to go look at those as well.
I remember watching the original, and I thought it was from the ’90s or something, because it was pretty amazing how a movie from that era could look that amazing, and utilizing computers the way they did.
[Tron: Legacy has] a cult fandom, in a similar way that the original Tron did as well, where people thought it was very technologically cool but it’s continued to grow.
Tron Legacy, I just saw projected in 35MM at the New Beverly last year, and it really holds up, and has that amazing soundtrack by Daft Punk.
So I like that those movies have a number of years of separation between them. They don’t come out very often, and every time they do, they show a new era of technology and filmmaking.”
Jeff Bridges returns to the grid. #TronAres
That’s a wrap on TRON:ARES * Thanks to an incredible and tireless crew, I really believe we pushed the filmmaking limits on this movie. Even through six weeks of night shoots you never slowed down. Also, a big thank you to our wonderful cast for leaving everything on screen. I can’t wait to show the world what we’ve done * * * #TronAres * @leah.gallo.photography
"With Nine Inch Nails making the music, this instalment will be a little grittier, a little bit more industrial. It’s been important for me to contrast The Grid and the real world. In that sense, Nine Inch Nails lends itself perfectly into this new Tron world that we are creating."
"What I always look for in any story is a strong emotional core. This film will probably be more emotional than people are expecting. It’s about the cost of being human."
“A movie like this, it’s like 2,000 VFX shots, so every other day, I sit in the effects meetings. I go through about 50 shots every other day that come in from ILM, which is also an amazing journey. It’s a long journey.”
“At the same time, we have a movie. We have an A–Z movie, and it’s just now tightening it , maybe doing some additional photography to land certain things here and there. Again, the luxury of filmmaking on this level is having the time and the resources to keep tweaking it, keep working, and keep making it better. So, we’re going to be doing that until summer. I’m not even halfway through.”
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