KAMINO a écrit:C'est la suite de Suprématie?
"I wanted to do a big leap forward in time. It’s significant enough that Caesar is still a spirit in the movie, but most of his living relatives are not in this picture."
"If the last three movies were the Stone Age, here we get to see what happens when they enter the Bronze Age."
"When I first started on it, I said, 'I feel like Apes needs a little bit of Star Wars.' It’s all still very grounded in reality, but it is essentially a quest narrative. Our main character - the young, impressionable Noa [Owen Teague] - meets characters along the way and becomes awakened as he winds up in a place that will test him, and he ultimately becomes his true self."
"We haven’t kiddified it, or Disneyfied it, if I’m allowed to say that! But we have brought a younger spirit to it."
“We have this cut, ‘Many generations later,’ and I’ll just say it’s hundreds of years later, not thousands, hundreds. We never really put a date on it, to be honest. It’s just a long enough distance that stories can, the game of telephone through history, it starts to erode and change and get lost.”
“Honestly, the big thing for me… you will not see any Statue of Liberty in this movie, but I kind of didn’t want to do the whole… ‘Oh, I know that.’ But I’ll say this. We do think about those things and the people who notice it fishes from LA, we probably notice some things, but the journey is, it’s a journey movie.”
“So we travel quite a lot here. But there is a kind of thing, especially with that first 1968 movie they shot at Malibu. So there’s kind of like a California thing to these movies where they shot on the branch up there. So we kind of wanted to set it there.”
“What’s interesting, even though we had to shoot in Australia, the whole reason we kind of chose that because mainly because when we had to shoot it was winter here and… whatever, that’s a part of movie making, but chose Australia because you go around Los Angeles, there’s a ton of eucalyptus trees everywhere.”
“And so we kind of picked the more lush versions of Australia, so it actually kind of feels like it’s kind of got the harsh light. And that’s another big thing usually I think in the movie is that we’re not in Vancouver … We’ll see if people like it or not. It creates a different look for the movie where we’re not in the kind of soft light and this steamy smoky terrains and stuff, but we go into hard sunlight… It is bright, it’s a bright movie, it’s a new day.”
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