"In this ninth entry in the immensely popular and enduring film series, a group of young people on a distant world find themselves in a confrontation with the most terrifying life form in the universe."
"In this ninth entry in the immensely popular and enduring film series, a group of young people on a distant world find themselves in a confrontation with the most terrifying life form in the universe."
“I mean, I’m not too sure what I can say just yet, but I know that… it’s very, very, very different. I think ‘Alien’ was slightly before my generation, in terms of its depth and its impact at the time, but you know, we have such an incredible spin on it. And we had Fede Álvarez as our director, Ridley Scott producing it. It was incredible to work with those people, and opposite Cailee Spaeny, who is just a brilliant actress. I think it’s going to be cool. I’m very excited.”
"The way we crafted it is, if you haven’t seen any of them, I’m jealous because you’ll have an incredible experience. You’ll have all these worlds of Alien coming at you, and you’ve never experienced any of this. You don’t know how the creature is born, and you don’t know any of these things. That’s fantastic. You’ll have a blast."
"Now, if you’ve seen the others, then it’s a completely different experience in a way, because you’ll see and you’ll find those connections with the other movies. And if you’re a fan, you’ll be that person who annoys your friends in the theater, by telling them that you know what this is from and where that gun is from and what the characters are talking about."
"For the creatures, we brought in all the guys from ‘Aliens.’ They were in their early twenties when they made ‘Aliens,’ and they were a part of Stan Winston’s [special effects] team.
"And now we had them at the top of their game. They have their own shops, and so we brought them all together to work on all the creatures , because we went with all animatronics and puppets at every level. I even got the chance to be under the table with them, puppeteering all these animatronics."
"I have this obsession with no green screens, so we built every creature and set. Everything had to be built so we were really living and breathing in these spaces. But I’m not an anti-CG guy."
"I come from a background where I know how to build the effects myself. I still do VFX shots in my movies to this day. It’s just whatever is best for the shot, and when it comes to face-to-face encounters and moments with creatures, nothing beats the real thing."
"It’s based on the Romulus and Remus myth. If people aren’t familiar, it’s the creation myth of Rome. Romulus killed Remus. It’s not a siblinghood that went down the right path. [Alien: Romulus] is a film about siblinghood. A lot of the character stories are related to siblinghood. As you may know, Weyland-Yutani, which is the big company in the Alien movies, has this obsession with Rome and Imperialist iconography."
"You really have to go deep into the canon, but a lot of the planets, and a lot of names come out of the early Roman Empire, either from rivers or cities. And there’s a station where most of the story takes place. It’s called the Renaissance Station, and it’s made of two big models that are connected. One is Remus, the other one is Romulus. And that’s as much as I can tell you."
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