Daley : “We pitched this idea of a ground-level superhero where it isn’t entirely end-of-the-world stakes. He’s just learning his powers and is also somewhat dysfunctional with his life. The more imperfect we can make a superhero, the better, because that’s the inherent challenge: How do you give imperfection to someone that is, you know, physically perfect?”
Goldstein : “They were intense and very bright. Later, it became clear that they didn’t want to quite do the same thing as we did.”
Daley : “If we feel like the powers-that-be aren’t excited about making the same movie as we are, we’re not going to win that battle, and so it’s better to cut your losses and get out of there.”
Goldstein : “They took what we had started and really ran with it and made it a very fun and emotional movie. We’re really happy with how it all turned out.”
Daley : “I’m so glad that the finished product is a super fun movie.”
"I don’t wanna give a spoiler, but it was a scene where I get caught, I get saved by Wonder Woman during a conflagration with some bad guys. And she saves me by– I mean, I’m sure the spoiler, DC assassins are gonna get me, but […] she saves me with the Lasso of Truth. And so what happens is that Batman divulges some of his real feelings about his life and his work... I was like, 'Wait a minute, I got it!'"
Andy Muschietti : "I talked to Zack. But it wasn't technical or narrative or anything. I just wanted to reach out and say, 'Hey.' Because we haven't met before, and I just wanted to tell him that we would be respectful to the stuff that he did before."
Barbara Muschietti : "And to the cast he put together."
Andy Muschietti : "Man of Steel obviously is foundational to this movie because the big threat of Zod coming to Earth is a big twist in this story, and it's something that most DC fans know very well. And that's one of the great things that can form the narrative of this movie."
Talking to Gizmodo about the scene which sees the Fastest Man Alive rescue several babies falling from the sky, Muschietti made a startling revelation when he claimed that what we were seeing isn't unfinished VFX, but The Flash's very specific point of view.
"The idea, of course, is...we are in the perspective of the Flash," the filmmaker claims.
"Everything is distorted in terms of lights and textures. We enter this ‘waterworld’ which is basically being in Barry’s POV. It was part of the design so if it looks a little weird to you that was intended."
NiradZedjati a écrit:Talking to Gizmodo about the scene which sees the Fastest Man Alive rescue several babies falling from the sky, Muschietti made a startling revelation when he claimed that what we were seeing isn't unfinished VFX, but The Flash's very specific point of view.
"The idea, of course, is...we are in the perspective of the Flash," the filmmaker claims.
"Everything is distorted in terms of lights and textures. We enter this ‘waterworld’ which is basically being in Barry’s POV. It was part of the design so if it looks a little weird to you that was intended."
"The insertion of the [Michael Keaton Bruce Wayne] story set up some questions, which is part of a big question that you ask yourself when you're approaching a movie like this. But it was a fun process. How much of [Tim Burton's movies] do we abide by? How much of the aesthetics, how much of the tone?"
"I was very attracted to the idea of finding Bruce Wayne 30 years later and seeing him and basically fantasizing about what his life would have been 30 years later. The idea of, also, the reason why he quit being Batman was very important to me. There's a deleted scene, and you will see in the extras of the digital version of the DVD where that scene is there. We took it out for pacing reasons, but for me, it's very revealing and very important."
"Artists are forced to work relentless hours, overtime almost every day, including weekends. If the VFX companies aren’t meeting the unrealistic expectations that these studios are setting, the risk losing out on future contracts, and there [are] only so many studios that are making superhero movies anymore."
"When you’re putting out this many projects with shorter turnarounds, the VFX will always look worse. So if it looks like a VFX shot in The Flash was made in a week, it’s probably because it was."
“Rick’s movie wasn’t the Flashpoint movie. Originally, there was supposed to be just Zack’s five films and one side movie, which ended up being Suicide Squad. Rick’s movie was going to be a series of films, just like Aquaman. I think all of those films, they were planning to be trilogies.”
“Rick’s movie was laying the groundwork for Zoom as the big baddy of the DC Universe. It was Professor Zoom pulling the strings because he had come from the future to basically f— with Barry. In the Flash movies, Zoom would be the villain in the background. But also in the ancillary other films, you would see some of the influences of Zoom on the rest of the Justice League.”
“At the ending of Zack’s Darkseid quadrilogy, or whatever, we would end up with a Justice League Unlimited version of the Snyder-verse. And then you flip it. You do Flashpoint Paradox. Everybody who’s friends are now enemies, and it’s a world that you don’t want to live in. You can reboot the universe and introduce a new cast that way. Because after ten years, the actors need to go onto something else.”
EagleWolf a écrit:Jay Oliva, qui était impliqué avec Rick Famuyiwa, précise la version de ce dernier :“Rick’s movie wasn’t the Flashpoint movie. Originally, there was supposed to be just Zack’s five films and one side movie, which ended up being Suicide Squad. Rick’s movie was going to be a series of films, just like Aquaman. I think all of those films, they were planning to be trilogies.”
“Rick’s movie was laying the groundwork for Zoom as the big baddy of the DC Universe. It was Professor Zoom pulling the strings because he had come from the future to basically f— with Barry. In the Flash movies, Zoom would be the villain in the background. But also in the ancillary other films, you would see some of the influences of Zoom on the rest of the Justice League.”
“At the ending of Zack’s Darkseid quadrilogy, or whatever, we would end up with a Justice League Unlimited version of the Snyder-verse. And then you flip it. You do Flashpoint Paradox. Everybody who’s friends are now enemies, and it’s a world that you don’t want to live in. You can reboot the universe and introduce a new cast that way. Because after ten years, the actors need to go onto something else.”
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