"I get it, it's a business. It's frustrating because I made a really heartfelt drama and it got ripped to pieces and they tried to turn it into Deadpool, which it just wasn't supposed to be. And then you take the hit, you're the captain of the ship, my name was on it. [Laughs] Even though it didn't represent what I actually made, I would take all the bullets and be a good soldier. I made an amazing movie. It's an amazing movie, it just scared the s--- out of the executives."
"I think the studios see now that there can be canon, there can be non-canon, the fans just want to touch it. They love the characters, they just want to spend more time with it. And people are way more sophisticated about how movies are made and want to be participants in the journey. There's room for different things, different versions, different assets being shared with the audience. I think it just helps strengthen the community. But absolute credit to Warner Bros. for supporting Zack and having the courage to explore that."
"When the studio was hoping to replace John [Gilroy], the original editor, we suggested Lee [Smith]. I had worked with Lee on Chris’ movies, The Dark Knight trilogy. He’s one of the truly great editors. He was charged with trying to take a slightly different approach, but not totally change the tone of the movie with his work. Clearly, from what David is saying, that was the version that he liked the best of all the versions. There was a tremendous amount of different feelings between what the studio wanted and what David wanted at that time. It was a negotiation, for sure, of what the ultimate cut was going to be."
"The interesting thing was, when we tested the Ayer version — to be honest, I can’t sit here and remember how we got to that edited version, who was editing that edited version — but it wasn’t Lee. It was somebody else that came in. The studio version was also different editors as well. We tested both versions. They tested exactly the same. Because they tested exactly the same, David and the studio and ourselves, meaning Rich and I and the heads of DC at that time — Jon Berg and Geoff Johns — we all sat in a room and tried to come up with what would be the best of both versions. Obviously, the movie made a really nice piece of change. Audiences liked it enough for us to want to do a sequel. But it definitely wasn’t the exact vision of David, and it definitely wasn’t the exact vision of the studio."
"I spoke to [Gunn] a while ago. All with patience. He has the right to put together his new universe before visiting the past. Cheer up. Good things are coming."
ROY a écrit:Franchement je m'en fiche complètement de sa version mais je voudrais vraiment savoir ce qui était prévu au niveau de l'histoire. Je pense vraiment que le Snyderverse devrait être correctement planifié et sortir en comics en partant de Man of Steel. Du direct TPB serait le bienvenu.
Après tout Sean Murphy fait un carton avec son propre univers et il a le droit à des Deluxe Editions pour toutes ces séries. Et très probablement un Omnibus ou deux qui il en aura terminé avec son Elseworld.. Donc je suis persuadé que si les choses sont présentées sous forme de Elseworld les gens vont l'accepter plus facilement (bon les lecteurs de comics en majorité déteste au plus au haut point tout ce que Snyder a fait, même Man of Steel).
Dark Sirgon a écrit:Ha pas au courant...il a fait quoi lui ?
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