Les Toiles Héroïques Forum

Adanedhel a écrit:ALORS

Quand j'ai dit que Cameron nous faisait une adaptation de Mario ou Zelda, et qu'après le biome aquatique on aurait le biome désert le biome neige et le biome lave.

C'était censé être une blague, en fait

(Surtout que ça vend pas du rêve quoi, tu prends une montagne et tu rajoute un caillou dans le ciel...)

Adanedhel a écrit:

Ca arrive déjà pas souvent que je sois globalement du même avis que Dudu, mais là... Je suis d'accord avec chaque phrase de cette analyse, à la virgule prêt.

“The big [creative] advance in [‘Avatar 3’] is just going to be greater character depth. We’re seeing new cultures, new creatures – all the same stuff you’d expect from an ‘Avatar’ movie, but the whole idea of this cycle of films is to live with these people and go on this epic journey with them.”

“So I think it’s not about, ‘We’re going to show you the best water [VFX] ever done’ – but you get more into the heart and soul of the characters. And there’s some very interesting new characters that come in as well. This is a journey over time. It will play out through movie three, into movie four and movie five. There’s an epic cycle to the whole thing.”

“We did the [motion capture] capture on three and the live-action photography on three as an intermingled production with [‘Avatar: The Way of Water’], and we even did part of movie four because our young characters are all going to have a big time jump in movie four.”

“We see them and then we go away for six years and we come back, and so the part where we come back is the part we haven’t shot yet. So we’ll start on that after three is released.”

"We're fully written through movie five, and I've got ideas for six and seven, although I'll probably be handing the baton on at that point. I mean, mortality catches up. But I mean, we're enjoying what we're doing. We're loving it. We get to work with great people."

“It [Avatar 3] is pretty much in the can. We’re shooting pick-ups on 3, which is just filling in the last 2 or 3%, and we’ve also got live-action pick-ups in June, that’s another couple percent.

We’ve got about a quarter of Movie 4 in the can. We’re post [production] on 3 and now doing the VFX, which is an enormous job. I’ll need every second between now and then to get it done.

The tech has reached the point right now where it’s really what we need. We make little improvements as we go along, but we’re there. The whole point is we jumped back, that’s why we spent 7 years building to it and 4 years shooting the two films together.

It’s not about the technology, but about the minds and eyes of the computer artists. It’s a very, very creative process – it’s artistry. Thousands of people are involved and conducting the orchestra to get it all pitch perfect right now.”

“We shot two and three, we started shooting in 2017. Two already came out, and three is still like an ongoing thing where Jim will come back and he will continuously work on it, because just that the technology requires so much time.

They called me back in January out of nowhere, and they’re like, ‘We just have some pickup shots. Can you please come in?’ I was like ‘Okay.’ He’s like ‘It’s super, you know, no hassle. It’s just little close-ups.’

And all of a sudden, they’re like, ‘Hey, so, now this shot is you on your Ikran.’ The Ikran is my dragon that I ride. And I’m like, ‘Are you kidding me?’ Like, I haven’t gone to the gym in like… guys, I took a squat and I couldn’t get up.”