Adanedhel a écrit:Une série Alien, par Ridley Scott, et qui se passera sur Terre... J'ai hâte de voir la catastrophe
“I think Noah’s very conscious of the fact that there’s a cinematic universe. [There’s] some inventiveness and originality that is uniquely Noah… [but] I think you’ll also see that the show will feel like a part of the cinematic universe you’re familiar with in terms of Alien.”
[the series is] “a beast… a really big, world-building exercise.”
EagleWolf a écrit:John Landgraf est le boss de FX Network, donc de fait.
"It's going great. It's going slowly, unfortunately, given the scale of it. I've made a certain business out of reinvention. Alien is a fascinating story because it's not just a monster movie; it’s about how we're trapped between the primordial past and the artificial intelligence of our future, where both trying to kill us. It’s set on Earth of the future. At this moment, I describe that as Edison versus Westinghouse versus Tesla. Someone’s going to monopolize electricity. We just don't know which one it is."
"In the movies, we have this Weyland-Yutani Corporation, which is clearly also developing artificial intelligence—but what if there are other companies trying to look at immortality in a different way, with cyborg enhancements or transhuman downloads? Which of those technologies is going to win? It’s ultimately a classic science fiction question: does humanity deserve to survive? As Sigourney Weaver said in that second movie, “I don't know which species is worse. At least they don't fuck each other over for a percentage.” Even if the show was 60% of the best horror action on the planet, there's still 40% where we have to ask, “What are we talking about it, beneath it all?” Thematically, it has to be interesting. It’s humbling to get to play with the iconography of this world."
John Landgraf (président de FX Networks) : “Noah is currently in production on the fifth season of Fargo but he’s in active preproduction on Alien. He’s written scripts. I think he’s meeting with his production designer in Austin this weekend, gearing up for production this year after he completes the fifth season of Fargo.”
"Look, a two-hour movie, you can set it up and then it's just about, 'Are they going to survive?' But if you're making a series, 'Are they going to survive?', you can't sustain it. Even if you have 60% of the best action-horror on television, you still have 40% of 'What are we talking about?'"
"I had some conversations early on with Peter Rice, who used to run all of television at Fox and then the first couple of years at Disney, where it was like, 'The thing with Alien is, it's always trapped in a spaceship, trapped in a prison. What if it wasn't that?'"
"What is this moment on Earth, technology-wise? And where are we?" Hawkey said of bringing the iconic aliens to Earth. "And the question science-fiction always tends to ask is, does humanity deserve to survive? So that seems like a really interesting question to continue to explore."
"And then it always mimics the life cycle of the creature, right? Which is egg, slow, Facehugger, starts to get faster — you know what I mean? And of course, that's great for a horror movie to build that way. So I found a way to kind of innovate around that structure and play with it."
"I've been asked a couple of times — and I did a 'Star Trek' project that we didn't get to make — to take something original and remake it as something original, you know what I mean? So I always look at, what did the original make me feel? And how can I recreate those feelings in the audience by telling a different story? So for me, there were a few things about 'Alien' that made it interesting. Because it's not just a monster movie, right? It is the great monster movie. But there's that moment you realize Ian Holm [who plays Ash] is an android where you go, 'Oh, this is really interesting now, because this is humanity trapped between the primordial past and the AI future, and they're both trying to kill us.'"
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