"You should really talk to the HBO Max reps! I mean, look, what we're really trying to do is to launch this world. If the world embraces this, we have a lot of ideas we want to do and sure we want Selina to continue. Their relationship and what they are to each other is, to me, that's the heart of the movie is the push-pull between the two of them and the way that she's going to evolve and where all of that will go so, we're talking about a lot of things."
"Of course, we're talking about a lot of things but we're about to release this movie and it really comes down to how people receive it."
EagleWolf a écrit:À priori, elle porte un proto-costume pour le moment, j'espère donc qu'elle aura une évolution nette.. et si c'est cas, oui, j'espère qu'ils créeront quelque chose de classe.
“I knew we were challenging the audience in this side of world’s greatest detective side, because it was going to be a very complex narrative and it turned out they love that part of it. It was one of the things that tested best. So that part was a great thing to learn, which was that, actually, the audience would be excited about this version of the movie and that only continued to get better as we continued to test.”
“I fought valiantly for a cigar. At one stage I said, ‘I can have it unlit! Just let me have it unlit.’ They were like, ‘No.’ [As if] a bunch of 12-year-olds are going to start smoking Cuban cigars because [the Penguin is smoking cigars in a movie.]”
Here is Matt Reeves’ explanation for why Barry Keoghan’s character has yet to become The Joker down below:
I think for me, what I wanted to do, in trying to kind of launch a new Year 2 Gotham, was to have it be as if all of these characters that we know in Gotham sort of already exist. Here we have a version of this character who is not yet the Joker, but is going to become the Joker, and I wanted Batman to have had an experience with him that put him in Arkham. So, something happened in that first year, and they have a connection right from the beginning, and I wanted this version of the character to go all the way back to the original Bob Kane Bill Finger inspiration, which is Conrad Veidt in the silent film The Man Who Laughs.
Saying his take on the Clown Prince of Crime is "a bit charming and a bit hurt," Barry Keoghan insisted that his eyes remain visible beneath all those prosthetics. "I wanted some sort of human in there behind the makeup. I want people to relate to him...[to know] this is a façade he puts on." To him, The Joker is "a broken-down boy."
“I just made it up. I wanted to make it Kubrick-y: symmetrical, the X on the back, the square doorframe, everything square. I just wanted swag to come across. Swag and endearing. It was just me giving my idea."
“As soon as that call comes, I’m there man, I’m there.”
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