Mareff a écrit:Et puis ça a jamais vraiment été relié au Hulk de Ruffalo alors bon...
beastoukate a écrit:Mareff a écrit:Et puis ça a jamais vraiment été relié au Hulk de Ruffalo alors bon...
Ah quand même. Entre la scène post-gen de L'incroyable Hulk, le journal TV dans Iron Man 2, le général Ross récurent, le Banner de Ruffalo qui évoque une scène coupée de L'incroyable Hulk où il tente de suicider et enfin l'épisode de What If qui reprend les événements de L'incroyable Hulk avec le Banner de Ruffalo.... Je les trouve vachement relié perso.
beastoukate a écrit:Mareff a écrit:Et puis ça a jamais vraiment été relié au Hulk de Ruffalo alors bon...
Ah quand même. Entre la scène post-gen de L'incroyable Hulk, le journal TV dans Iron Man 2, le général Ross récurent, le Banner de Ruffalo qui évoque une scène coupée de L'incroyable Hulk où il tente de suicider et enfin l'épisode de What If qui reprend les événements de L'incroyable Hulk avec le Banner de Ruffalo.... Je les trouve vachement reliés perso.
“I wish I knew the answer to that question. I think we’re done, but we just cut everything. We’re just starting to test the picture and we’ll find out if there’s anything that’s got to be picked up. If something’s unclear or another improvement I can make in this short amount of time left, I’ll do it. One thing I know about the Marvel team is they won’t stop. They’ll keep pushing it until it’s as close to being great as it could.”
“Marvel’s been a great team to work with. I think that was a not-surprising surprise. I’ve been super-supported by the whole Marvel operations, starting at the top with Kevin Feige, and working all the way down to the crews that they work with. [They’re] super professional and have supported me every step of the way.”
"There's a lot of points where the audience says, 'I don't understand this. I don't understand this concept.' Or, 'I'm aware of this concept, and then you explained it again in the third act.' 'Oh, you're right. The audience knows that already.' Or: 'They had to know that in order to accept this next story beat.'
A lot of it is test screenings, learning what is confusing on a complex picture like this, or learning things that have overstayed their welcome. Recognizing when something is too slow, and even though it's a proper beat to put in, the audience doesn't need it. They can figure that out on their own, so what seemed like a logical step now becomes, in the editing process, 'Hmm. That's slowing us down. Let's skip it and let the audience make the leap themselves.' But it's also about recognizing what they really like, and sometimes expanding those things that they're really reacting well to. It's recognizing what's original about the picture, and when you've got the opportunity to, expanding upon that."
"Wow, that guy is great. He brought an incredible imagination, and absolute awareness of Marvel history. So he really is like an expert in these characters, their interactions, their backstories. I would be dead without that. But then he brought a super-fertile imagination. He loves to have the characters interact with each other, and really show them for who they are and what their problems are. So he's like a novelist, writing a Marvel comic book. And it's great because that's what's so unique about Stan Lee's Marvel superheroes — it's the human aspect of them, their flaws, their mistakes, their personality quirks. Michael loves that Doctor Strange is a little bit of an egotist and has a problem with insecurity."
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