LMO42 a écrit:Oula mais attendez dans l'extrait, c'est un vaisseau Sakaarien ??
"I really love Kevin, working with him has been probably one of the greatest joys of my professional life, because he, I mean, I hate to add to the mounds of compliments he's constantly getting but reluctantly, I have to confirm it is true. He is brilliant. He truly is the creative genius that everybody says he is. He is, I think the best creative producer working in Hollywood today, and he's also just like a nice dude. who's very easy to talk to."
"Part of the reason I respect him so much is he lets me be incredibly mean to him and he lets me bully him constantly, and I don't think any other president of a studio would ever let me do that, but he also just comes up with like brilliant ideas. There were so many elements in the show that were his pitches, and he's truly egoless because there have been times where he'll pitch a really good idea, and I'll be like, “That's great!,” and I'll use it. I'll put it in a script, and then weeks later, he'll read the script, and he'll have forgotten that it was his idea, and he'll say, “Oh, that was really smart. That was great.,” and I'd be like, “No, that was your idea, dummy.” Like, how did you forget this brilliant idea that saved the script."
"Marvel is this kind of machine. VFX is one of those things where they already have their way of doing things. The machine just gets rolling. You can try to insert yourself as much as you can, but at a certain point, you’re forced to get out of the way."
"I just knew CG was expensive. From the beginning, I asked Kevin [Feige], 'How much can we do? How cost-conscious should I be? Give me some guidelines.' And he said, 'If I’m gonna watch a show called She-Hulk, I want to see She-Hulk.' That kind of was the carte blanche to just write it however I wanted. And I remember distinctly thinking, 'I hope we remember this conversation and the budgets come back and somebody gets mad at me for it.'"
"Once we got into pre-production and production itself, once somebody had to sit down and start figuring out the cost of everything, it was like every week, I was told, 'Can you cut more She-Hulk scenes? Can you change more She-Hulk scenes to Jen? Can she be Jen in more scenes?' There were a lot of things that then had to be changed at the last minute to go from She-Hulk to Jen. Even in post, you know, we had to cut a lot of shots by virtue just because it was She-Hulk."
"Marvel is this kind of machine. VFX is one of those things where they already have their way of doing things. The machine just gets rolling. You can try to insert yourself as much as you can, but at a certain point, you’re forced to get out of the way."
"I just knew CG was expensive. From the beginning, I asked Kevin [Feige], 'How much can we do? How cost-conscious should I be? Give me some guidelines.' And he said, 'If I’m gonna watch a show called She-Hulk, I want to see She-Hulk.' That kind of was the carte blanche to just write it however I wanted. And I remember distinctly thinking, 'I hope we remember this conversation and the budgets come back and somebody gets mad at me for it.'"
"Once we got into pre-production and production itself, once somebody had to sit down and start figuring out the cost of everything, it was like every week, I was told, 'Can you cut more She-Hulk scenes? Can you change more She-Hulk scenes to Jen? Can she be Jen in more scenes?' There were a lot of things that then had to be changed at the last minute to go from She-Hulk to Jen. Even in post, you know, we had to cut a lot of shots by virtue just because it was She-Hulk."
EagleWolf a écrit:
Forcément, ils ont dû faire des coupes de la grande verte pour économiser sur les CGI, ce qui explique aussi le choix de lui permettre de redevenir "normale". En attendant, cela n'a pas l'air d'avoir amoindri le show vu les 94% d'avis positifs (224 critiques).
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