Le producteur
Nate Moore explique pourquoi ils évitent les scénaristes fans inconditionnels de comics :
"One thing I think is interesting, and specifically for writers, I would say, a lot of times, we're pitched writers who love Marvel. And to me, that's always a red flag. Because I go, 'Oh, I don't want you to already have a pre-existing idea of what it is, because you grew up with Issue 15 and that's what you want to recreate.'"
"I want somebody who's hard on the material, who goes, 'What is this? I think there's a movie here, but maybe we should be looking at it in this way.'"
"The best example of that for me was Markus and McFeely, who weren't comic guys coming up, but were like, 'Wait, Captain America, this seems a bit weird. What if we kinda looked at it in this way?'. And they weren't married to anything, nothing was, you know, there was nothing sacrosanct."
"I think that's important to be able to go, 'Look, the source material is great, and I love it, and comics work in the medium they were built in, but that's not a direct, one-to-one translation to the best version of the movie.' And sometimes it takes someone who's out of this culture to go, 'Hey, I know you think it should be this, but maybe it should be this other thing.'"