EagleWolf a écrit:Intéressant, un film sur le début du SNL...
The film begins with the destruction of a New York City-like metropolis. That’s followed by two clashing visions of rebuilding – an ambitious architectural idealist named Cesar (Adam Driver) who wants to build a utopia with renewable materials, and the city’s mayor Frank Cicero (Giancarlo Esposito) who wants a more business-as-usual rebuild strategy.
One attendee reportedly said that the film is a mix of “Ayn Rand, Fritz Lang’s ‘Metropolis’ and Tinto Brass’ ‘Caligula'” and that it is “unflinching in how bats— crazy it is”.
One sequence toward the end involving Jon Voight and Aubrey Plaza’s characters is, according to several attendees, “one of the most baffling they’ve ever seen” and everyone agrees the film will be a “tough sell” as it has “zero commercial prospects”.
EagleWolf a écrit:C'était le cas aussi pour Civil War et finalement c'est plutôt de la SF. En fait il surfe un peu toujours aux limites du genre, là encore une fois, faudra que je déplace les postes si ça se confirmait.
Adanedhel a écrit:EagleWolf a écrit:C'était le cas aussi pour Civil War et finalement c'est plutôt de la SF. En fait il surfe un peu toujours aux limites du genre, là encore une fois, faudra que je déplace les postes si ça se confirmait.
Au vue de la bande-annonce c'est un film d'anticipation dystopique, qui techniquement sont des sous genre de la SF, mais ça reste très très proche de la réalité... j'aimerais vraiment le voir revenir sur des projets type Annihilation et Ex Machina...
EagleWolf a écrit:
hollywood-elsewhere.com a écrit:
Two more observations about Francis Coppola‘s Megalopolis, which was seen last Thursday morning by an elite crowd of 300 or so at Universal City IMAX:
Observer #1: “Megalopoplis is about as non-Joe Popcorn a movie as one can imagine. But it is so startling, so original and sometimes downright confounding that there is a certain strata of moviegoer who will see it out of raw curiosity…especially if critics get behind it and if there is a major PR campaign.
“I don’t know if the print we saw [last Thursday] is finished or not. I hope Francis clarifies the story so audiences have something to hang onto. The first approximately 50 to 60 per cent of the film is much better than the last part because you lose track of the story and become bored.
“It is nonetheless a bold and utterly original film, and for that Francis will get tons of credit from some quarters.”
Observer #2: “There will be many and varied responses to this film. Those who love it for its boldness will be right. and those who dismiss it for the same reason will, if you insist, also be correct. And perhaps the film’s natural, eventual home will be in art museums.
“Megalopolis will require careful and loving handling, which may turn out to be an impossible task in today’s market. But here’s hoping otherwise.”
EagleWolf a écrit:Le trailer de Fly Me to the Moon arrive lundi, le film devrait sortir le 12 juillet, et l'histoire "se déroulerait dans le cadre de la course à l'espace des années 1960" :
EagleWolf a écrit:hollywood-elsewhere.com a écrit:
Two more observations about Francis Coppola‘s Megalopolis, which was seen last Thursday morning by an elite crowd of 300 or so at Universal City IMAX:
Observer #1: “Megalopoplis is about as non-Joe Popcorn a movie as one can imagine. But it is so startling, so original and sometimes downright confounding that there is a certain strata of moviegoer who will see it out of raw curiosity…especially if critics get behind it and if there is a major PR campaign.
“I don’t know if the print we saw [last Thursday] is finished or not. I hope Francis clarifies the story so audiences have something to hang onto. The first approximately 50 to 60 per cent of the film is much better than the last part because you lose track of the story and become bored.
“It is nonetheless a bold and utterly original film, and for that Francis will get tons of credit from some quarters.”
Observer #2: “There will be many and varied responses to this film. Those who love it for its boldness will be right. and those who dismiss it for the same reason will, if you insist, also be correct. And perhaps the film’s natural, eventual home will be in art museums.
“Megalopolis will require careful and loving handling, which may turn out to be an impossible task in today’s market. But here’s hoping otherwise.”
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