"So, probably a year ago...cause, you know, [Kevin] Feige and I have kept in touch. We're pals. Favreau, Feige, and I have kept in touch. I'm close with the Russo Brothers; we have other business we're doing. So, there's this little group of fellow travellers and I had this instinct that I wanted to go to Bob Iger and I had an idea outside of the Cinematic Universe for how I could be of service to what's going on in the Parks and all their location-based entertainment."
"Susan and I were sitting down with Feige at one point and he said, 'It just keeps occurring to me that if you were to come back...' and Susan was like, 'Wait, wait, come back as what?' Then we both realised over time that it was another thing that just disproves any doubt anyone could ever have about that guy, a very sophisticated creative thinker, about how can we not go backwards, how can we not disappoint expectations, how we can continue to beat expectations? And he brought up Victor Von Doom. I looked up this character and I was like, 'Wow.' Later, Kevin goes, 'Let’s get Victor Von Doom right. Let's get that right.'"
"So then I said to Kevin, 'Can I go talk to Bob Iger?' He goes, 'About?' I go, 'About everything. I'd gone to Bob's house and I don't know how to describe that experience. I've had a lot of really cool experiences, but I go to Iger's pad, we sit down and he goes, 'I like it.' I was like, 'He likes it.' He said, 'Come by the Imagineering Campus.' Feige and I go to the Imagineering Campus and you want to talk about two guys that are not easy to have their minds blown, let alone at the same time...I can't say too much, but what is going on there right now is so beyond my expectation of what was possible."
"I was like, 'What the f*ck?'. Everything is clay right now. They're rewriting, they're reworking, and so I honestly can't even tease anything."
"I'm not sure what you're talking about. I’ve heard of a Russo Brother. There are two? You know I can't talk about that stuff."
"We're all very close. We had been working on another project before Marvel approached all of us – so we're working on another project with Robert – and there was a story that evolved through conversations that we got very excited about. Because it's always got to be the story."
"Why would we come back if we didn't feel like we had a story that had that possibility of being on an equal footing with Infinity War and Endgame unless there's a kernel there for an idea that's really explosive?"
"I’m not kidding — There’s a thing with playing Thanos. It’s like, ‘Oh, they’re gonna bring Thanos back.’ It’s like Sicario ; it has to be right. It’s like Ryan Reynolds and I talking about Taylor Swift and we should be talking about Deadpool 4 . But we go back and forth. Again, it’s what in his mind fits, what in my mind fits. Thanos has to fit if you’re going to bring him back. I would do anything that the Russos wanted me to do."
While Brolin was asked outright if he'd been contacted about reprising his role, he declined to give an answer.
He did cough, though.
With your previous Avengers movies, there was a now-famous set of baseball cards with a card for every Marvel actor, and they included how many movies the actors were contracted for. Was there an equivalent on these movies? How do you figure out who is in these movies?
ANTHONY : "Yes, we continue to use the baseball cards."
JOE : "Now they have magnets on them so we can put ‘em on a board and look at ‘em. It’s the only way to keep track of the amount of characters that we’re working with."
ANTHONY : "And as far as how do we look at who’s in the movies, it’s just a long creative process of exploring where we want to take the story. What is the most surprising and exciting area for us to push into, and which characters help us in that effort?"
VinceFury a écrit:Il parle des FF donc sûrement Joseph Quinn du coup.
"Isn't it nuts? I'm excited and amazed. It's been 23 years since I was a superhero. I've had some makeup tests already for the role, but what's great about it was that before it was about 4 and a half hours to apply it, but now it's only 90 minutes. Before, all of the tattoos were done by hand. They hadn't decided on them before we started filming. Now, they just stick onto my face. It's a game changer. I'm going back to being a 60-year-old superhero, and everyone seems really lovely."
"It’s one of those stories that really pushes the boundaries, and it — the cliffhanger at the end, you know, the last moments of the film — it really builds and sets us up for a way for the continuation of the Marvel saga, which is really exciting."
"You see these characters, and you see how they’re introduced and how they play in the universe moving forward, and no one is safe. Everyone is expendable."
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