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mais j'avoue avoir rigolé quand même d'autant avec l'intro des premières notes du thème de GoT 
), l'ambiance est très cool, et les personnages principaux sont tout de suite attachants. C'est juste un peu dommage que ce soit si court mais, vu l'histoire racontée, c'est logique et pertinent. Vivement le prochain...Deadline a écrit:
‘Game of Thrones’ spinoffs
DEADLINE: The rumored slate of Game of Thrones offshoots. Is there anything real? The Jon Snow-Arya Stark sequel, where is that at?
Casey BLOYS: Well, since you’re asking, you know what my answer is going to be, is that we don’t really talk about development. But, one thing I will say that’s interesting. Obviously, there’s a lot of interest around the Game of Thrones universe. And one thing I noticed with the launch of The Seven Kingdoms was this idea that it was the latest Game of Thrones spinoff.
And I do like to remind people that there have been exactly two spinoffs, House of the Dragon, and then The Seven Kingdoms which launched two weeks ago. Sometimes, because of the intense interest in development, I think people get confused and believe that development means something is actually in production. So I just want to be clear about that we’ve been very, very judicious about shows that we produce. We’ll develop a lot because we want to give ourselves the best chance of finding a show that makes sense, but we have not produced all that much. This is not Marvel level, four series a year, or anything like that. So sometimes people confuse development speculation with actual shows being produced.
DEADLINE: Can you at least give us a sense how many of the HoD live-action and animated spinoffs that have been in development are still active and whether any of them is close to a green light?
BLOYS: I’m not getting into any of that. Development is development, we like to give ourselves as many options as possible. And that’s part of the reason why it makes no sense for us to comment on it, because it does fuel this idea that misinformation, and shows are about to be greenlit, and so we just try to keep a lid on it. I know it all comes from the place of being excited, but we try to be careful about what we actually develop and produce.
DEADLINE: In terms of scope, is the slate of offshoots more diversified given the success of A Knight of the Seven Kingdoms? Are you looking for stories in the GoT world that can be told that way?
BLOYS: I do think that A Knight of the Seven Kingdoms was instructive in that it does show that the interest in the Game of Thrones universe is there, whether it is huge set pieces or more intimate character piece. So that was instructive. But the way we develop is from the stories. And like I said, from the beginning, George’s conception of the Dunk and Egg novellas was on a small scale. So I don’t think I would take what would otherwise be a giant show and try to produce it smaller. The creative has to lead.
DEADLINE: George has been co-creator on the two GoT spinoffs to date. Will that continue to be the case going forward?
BLOYS: I suspect, because he’s been fairly involved in the process.
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