...avant d'être choisi par Zack Snyder pour tenir le rôle du célèbre Perry White dans Man of Steel. Dans cette nouvelle adaptation des aventures de Superman, Laurence Fishburne incarne en effet le célèbre rédacteur en chef du Daily Planet à Metropolis, où travaillent Clark Kent, Loïs Lane et Jimmy Olsen. Un rôle important qui devrait ainsi permettre à l'acteur de retrouver les faveurs du public.
BobaFett a écrit:Intéressant... Avec du recul, avait-on une info à propos de Jenny, où tout le monde (moi y compris, je le reconnais) s'est excité juste à cause de son nom, Olsen?
Collider: Even though Pacific Rim is near the top, my number one film of the summer, the one that I am counting the days until, is Man of Steel. It means a lot to me. I’ve heard that you guys have maybe shown the film on the lot to certain people and the reaction has been very strong. I’m definitely curious what was your reaction when you saw the rough cut or the first screening of it?
Tull: It’s the Superman movie I’ve always wanted to see. I think the job that Zack Snyder did along with Chris Nolan- I think that people are going to be very, very excited about the results. The acting, on top of all the incredible action- Kevin Costner playing Jonathan Kent, Russell Crowe, Diane Lane, just the cast, and I think the job Henry Cavill did, people are going to really be excited about it. It was a privilege to be a part of and Warner Brothers does a phenomenal job of bringing these things to life, Batman and Superman, and it really is a privilege for us to be a part of.
I had issues with the last Superman movie, and I think for me it was because I never got to see superman punch anyone in the face. I wanted to see Superman be Superman, and when I interviewed Zack before filming started I asked him point blank, “Will we see superman punch someone in the face?” He smiled and sort of wouldn’t answer because he said it would be a spoiler, but I’ve heard he punches someone in the face. Can you confirm this?
Tull: [Pauses] I can tell you that I think you’re going to enjoy the movie very, very much.
The filmmakers said that Kryptonite has been used so often as Superman’s weakness that they decided it would be more fresh not to use it.
This film reveals that even on Krypton, young Kal-El was a special child, whose birth was cause for alarm on his home planet. (More on that in the magazine) And once on Earth, his adoptive parents, Ma and Pa Kent (Kevin Costner and Diane Lane), urge him not to use his immense strength – even in dire emergencies — warning that not every human would be as accepting of him as they are. So Clark Kent grows up feeling isolated, longing for a connection to others, and constantly hiding who he is. As a result, Man of Steel presents the frustrated Superman, the angry Superman, the lost Superman. “Although he is not susceptible to the frailties of mankind, he is definitely susceptible to the emotional frailties,” Cavill says.
That’s just the set-up. Once the Kryptonian villain General Zod (Boardwalk Empire’s Michael Shannon) arrives to threaten the Earth, eventually the passionate Superman steps forward, too. It helps that he has a reason to care about the home he’s defending, and we can all thank Amy Adams’ Lois Lane for that. “I think she’s very transient. She’s ready to pick up and go at a moment’s notice,” Adams says of the hard-bitten journalist. “I think that definitely could be part of what she sees in Superman — not really laying down roots, not developing trust.”
Based on footage EW has seen, the film (which was directed by Zack Snyder and shepherded by Christopher Nolan) has plenty of building-smashing, train-slinging, heat-vision-blasting battles to cut through the emotional heaviness. You want to give the audience great spectacle. You want them to go to the movie, be eating their popcorn and be like, ‘Wow!’” says Man of Steel producer Charles Roven, who also worked on The Dark Knight trilogy. “But it’s just not good enough to give them the ‘Wow.’ You want them to be emotionally engaged. Because if you just have the ‘wow,’ ultimately you get bludgeoned by that and you stop caring.”
Screenwriter, David S. Goyer, reveals to Entertainment Weekly that the children of Krypton (Superman's home planet) are engineered. "People were bred to be warriors or scientists or what-have-you, and there's a whole element in the movie about nature versus nurture," Goyer says. Kal-El is unique because he's a natural conception, free from genetic manipulation to choose his own course in life - which also makes his existence highly illegal.
Terrance Stamp portrayed the character as an icy warlord in Superman II, but Shannon sees him as more of a die-hard supremacist. "He actually has some affection for anybody who's a Kryptonian, including Superman," Shannon says. "He doesn't really have any malignant feelings toward him; he just wants him to be patriotic."
"All their armor goes on top of the suits," Deborah Snyder explains. But because Superman's a refugee, his iconic outfit in our world doesn't have the snap-on battle gear, which would make him a defenseless man on his own Kryptonian turf.
Traue's Faora isn't choking Lois Lane (Amy Adams), but activating a device to help the mere mortal breathe aboard a Kryptonian spacecraft while General Zod negotiates with Superman. (Faora's translucent helmet, meanwhile, helps protect her from sensory overload under our power-giving sun.) "I'm not threatening her, " explains. "I'm a good girl in this shot." Faora "is a psychopath," says Traue. "She is an engineered being, and driven by the need and pleasure of killing."
Lois Lane (Amy Adams) - chasing down reports of a wandering stranger who is capable of superhuman feats of strength. "She's very transient. She's ready to pick up and go at a moment's notice," Adams says, noting that the trait is shared by Lois and Clark. "That definitely could be part of what she sees in Superman-not really laying down roots, not developing trust."
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